Michael W. Smith, the illustrious figure in Contemporary Christian Music (CCM), remains a faithful steward of musical ministry, pursuing new music that honors God and uplifts His people.
In recent weeks, Smith has spoken candidly about his latest creative endeavors, including an inspiring collaboration and an earnest reflection on the perils of fame.
Known for his enduring contributions to worship and spiritual life, Smith remains grounded in his traditional values and biblical worldview. His newest musical venture aligns with that calling—a work that seeks neither popularity nor promotion, but a pure elevation of God’s glory.
His latest single, “Your Love Is a Flood,” is an upbeat track that feels simultaneously classic and fresh, blending synth textures with worship. Lyrics include the lines “Your love is a flood/ And I’m dancing in the rain/ Heaven and Earth colliding/ Open the clouds, I feel it rising up.”
A delightful surprise unfolded in the studio when actor Jonathan Roumie—celebrated for his portrayal of Jesus in The Chosen—happened to drop by. Initially planning just a friendly visit, Roumie soon found himself behind the drum kit, lending rhythmic energy to a track now revealed as “Arms Around the Sun.”
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Smith recounted how Roumie, once reminded of his drummer days, was invited by the producer to play along during a session. After a few takes, Roumie “just knocked it out of the park”—and they were recording. This spontaneous act of worship through music underscores the organic beauty of God-given gifts used in service of the Gospel.
In the music video, Roumie appears playing drums during the song’s bridge—bringing both skill and reverence to the performance. The unity of faith and creativity shines through this moment, reminding us that artistry rooted in Christian devotion has a power beyond the notes.
Beyond celebrating this blessed collaboration, Michael W. Smith also addressed another dimension of ministry: the ever-present risk of fame. In CCM, as in any sphere touched by success, the temptation to pursue personal glory looms large—yet Smith resists such distortions. Rather, he cautions his peers that celebrity must never overshadow the sanctity of worship.
Smith’s humility is instructive. As a Grammy-winning artist, he knows firsthand how applause can both affirm and blind. But he chooses a different path: letting God’s radiance guide his artistry and ministry, not public adoration.
Such a stance resonates deeply with the conservative Christian value that all gifts are entrusted to us for one reason—glorifying God, not ourselves. Smith’s words serve as a clarion call: stewardship of talent is not about acclaim; it’s about faithfulness.
The pointed contrast between fleeting fame and lasting spiritual legacy is especially relevant in today’s media-saturated world. Smith models how even well-known figures can avoid the narcissism of the public eye, remaining anchored in Christ, humble and purposeful.
This message encourages younger worship leaders and Christian creatives to seek God’s approval above all else. Smith’s example is not rooted in self-righteousness but in a tender dependency on the Lord—it’s a posture the Church desperately needs today.
Moreover, the Roumie collaboration provides a vivid illustration that ministry often happens in unexpected ways—in a casual studio, a drum beat, a shared moment of creativity. The Gospel transcends scheduled programming; it often slips into our everyday lives in beautiful spontaneity.
Each paragraph of this news highlights the richness of faith lived out in art: Michael W. Smith’s ongoing creative work; the unexpected, grace-filled involvement of Jonathan Roumie; and a sober reminder that in CCM, as anywhere, fame can seduce—but a grounded faith sustains.
Ultimately, this story unfolds as a tapestry of worship in action. It celebrates musical excellence, divine appointments, and gospel-centered ministry—all while pointing toward the danger of drifting into self-glorification.
As a conservative Christian community, we’re called to amplify voices like Smith’s—voices that pursue excellence without compromise, authenticity without arrogance. May this new chapter in Smith’s musical journey encourage us to play boldly, live humbly, and worship purely.