In an unprecedented display of inclusivity, the 2024 Paris Olympics opening ceremony, orchestrated by gay French artist Thomas Jolly, has ignited a storm of controversy. The Associated Press (AP) praised the event for its embrace of LGBTQ+ themes, but conservative critics were quick to condemn what they viewed as a flagrant display of moral debasement.
Demonic Mockery of Last Supper at Olympics Opening Draws HUGE Backlash on Social Media Video:
The ceremony featured a myriad of elements that left many viewers stunned. Among the most contentious aspects were the overtly gay dancers, a substantial presence of transgender performers, and a provocative dance scene that suggested a bisexual threesome. Additionally, Jolly’s interpretation included a scene reminiscent of Leonardo da Vinci’s “The Last Supper,” a move that many found deeply offensive.
EXCLUSIVE: Learn Why The Olympics Is Conducting Satanic Rituals pic.twitter.com/HEWHRT3OXE
— Alex Jones (@RealAlexJones) July 28, 2024
The Associated Press was effusive in its praise, describing the ceremony as a landmark moment for inclusivity. According to the AP, “In an unprecedented display of inclusivity, drag queens took center stage at the Paris Olympics opening ceremony, showcasing the vibrant and influential role of the French LGBTQ+ community — while also attracting criticism over a tableau reminiscent of ‘The Last Supper.’” This statement reflects the AP’s endorsement of the ceremony’s bold artistic choices, despite the controversy they stirred.
This ceremony represents a troubling trend in modern culture. The glorification of LGBTQ+ lifestyles and the apparent mockery of Christian iconography are seen as symptomatic of a broader societal decay. Critics argue that the Olympics, a global event traditionally focused on athletic excellence and unity, should not serve as a platform for such polarizing displays.
Drag queens and little children at the #OpeningCeremony of Paris Olympics 👇
This is disgusting and repulsive beyond words, and maybe best symbolizes the decline of Europe 🤮pic.twitter.com/RF9jhm1O8C
— Dr. Eli David (@DrEliDavid) July 27, 2024
The portrayal of transgender individuals and the inclusion of drag queens as central figures in the ceremony was particularly contentious. While the AP lauded this as a step forward for representation, conservative commentators saw it as an unnecessary and provocative imposition of a minority agenda on a global audience. The ceremony’s content was seen as alienating to many viewers who hold traditional values and beliefs.
The depiction of “The Last Supper” was perhaps the most incendiary element. This iconic religious scene, reimagined with drag queens and LGBTQ+ performers, struck many as a blatant act of disrespect towards Christianity. The conservative backlash was swift and fierce, with many viewing this as a deliberate provocation designed to undermine religious traditions.
Why would the International Olympic Committee allow the opening ceremonies to feature men in drag parodying the Last Supper? @elonmusk, @SpeakerJohnson, and many others quickly pointed out how disrespectful this was to Christians everywhere. Even more than being disrespectful to…
— Franklin Graham (@Franklin_Graham) July 28, 2024
The broader implications of this ceremony’s reception are significant. It highlights the deep cultural divide that exists not just in France, but globally. On one side, there are those who champion what they call ‘progressive’ ideals and see such displays as a necessary affirmation of marginalized communities. However, with the use of children in it’s sexually depraved and perverted performance, along with the mockery of the Last Supper, they continue to remind us that the progressive movement has thrown away any values it may have had left.
Opening of the Olympic in Paris features parody of Last Supper, starring transsexuals, homosexual men and… a little kid#Paris2024 pic.twitter.com/2j2XSf9ict
— ancient north eurasian solidarity (@UEurasier) July 26, 2024
Moreover, the AP’s enthusiastic endorsement of the ceremony raises questions about media bias and the role of the press in shaping public perception. By framing the event as a groundbreaking moment for inclusivity, the AP arguably downplayed the legitimate concerns of those who felt alienated and disrespected. This selective narrative can only contribute to further polarization, as media outlets appear to take sides in the cultural conflicts that define our times.
The Olympics opened its ceremony with a drag queen show that clearly seemed to mock Christ and the Last Supper to me. pic.twitter.com/ffwQabN1Eh
— I Meme Therefore I Am 🇺🇸 (@ImMeme0) July 26, 2024
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